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Dangerous Odds: Colors of Green

by Dangerous Odds

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Fossil Fuel Man by R. Virgil Ellis © R. Virgil Ellis. All Rights Reserved. Now I don’t care if it’s non-renewable What matters is: is it screw-able? You see, I’m in it for the short-term gain I don’t worry about the planet’s pain! Hey I’m the fossil-fuel man gonna burn it while I can I’ll buy you up I’ll buy you off I loot I pollute I watch you cough! I wear a chain-saw round my neck cut the rain-forest all to heck got no room for orang-u-tans cuz I’m the fossil-fuel man! Hey I’m the fossil-fuel man gonna burn it while I can got dominion over bird and beast yeah come and join the first-world feast! oh watch the jungle disappear makin’ pasture for some steers grind ‘em up and make big macs animal fat makes heart attacks! Hey I’m the fossil-fuel man gonna burn it while I can! Reagan told us trees pollute let the rain get acid-- I’ll get the loot! Manuel thought he’d grow some food well I soon put him in a different mood yeah I had his ass killed ain’t that a shame and I put his yard into sugar-cane! Hey I’m the fossil-fuel man gonna burn it while I can never mind the starving peasants I’ll ride out and shoot some pheasants! Look at those nuns and left-wing filth tryin’ to redistribute the wealth Now don’t they know I’m a mighty land-lawd I got me a right-wing death squad! Hey I’m the corporate oil man gonna squeeze it while I can who cares about energy from the sun? I’ll just take the money and run! Americans are you proud of Desert Storm? Do Patriots and Tomahawks make your hearts warm? Human blood is a price we can pay. Drive to the pump fillerup with Type A! Hey I’m the fossil-fuel man gonna burn it while I can I’ll buy you up I’ll buy you off I loot I pollute I watch you cough!
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Gene Splicer 04:11
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Land Mines 02:32
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Akimbo 06:06
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CANTO 52 Our newest emanation from The CANTOS by R. Virgil Ellis © R. Virgil Ellis. All Rights Reserved. Our newest emanation, whose name is STANCE, is not so much stumped as bemused, hung-up in a nexus of negative capability, dead-end duende. He hopes against hope his new poem whose subject is the union of subject and object to have such integrity that it will be a separate object, in spite of his conviction the objective world is unreachable (if it exists). This poem will reach from that nebulous realm of the presumably tangible trailing sparks to infuse the wan and lonely thing in the mind with clouds of quarks! Stance trembling, frangible, clutches the mike and launches his new poem entitled “The Key”: Some days the dead hobble the drudge and the droll troll snares the nascent dragonfly with a swift slurp of his igneous net. No child dare cross this bridge. When the radioactive firefly goes log-rolling on the ripe rapids of the Saskatchewan, the paper-mill churns out luminous splinters and the greeting-card gives off a comforting glow. Only the sublime bumblebee redeems the hooded hobgoblins: dry salvage wasp and bloodsucking mystic mosquito. Laws broken lawfully: that’s the key! He’s in the back room of the Café Carpe, small-town bar on the banks of the Rock River converted to performance venue with a smoke-free bar, Cajun cookin’, mecca of the folk singer circuit, where tonight the carp line up mad for poetry, eagerly holding their gills!
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starlight firelight touch by Arthur Durkee © Arthur Durkee Arts. All Rights Reserved. Burn of night without stars smell sweat nights starless heart dreaming peace. Darkness visible growing night no time no stars in sky visible touching. Into this box of night stars four dreams a broken pocketwatch heart smell. Eighteen runes burning waves shimmering in starlight no time touching starless peace. Starlight over dream ever only. Time creation change the star the farrier the timebound knight. Bloodsoaked angels dipping starless touch night without stars brush wings on stars dreaming nights. Twist of bonfire night blinded sparks fly up from a dozen lives crushed out on stone of desert sweat smell flames leaping from living stone a burn afire turning. Sparks whirr up into whirling orrery of suns over night under no time no stars into infinite. Galaxy born in breast slumber of no time spinning worms of times spent in sun. Crawl through fire lambent fireflies remember stones your skin smell. Dreaming peace dream. No stars no time in sky no dreaming anymore sky visible. Still smell sweat over your heart touching you born into fire. No angels dipping sweet heart over sweat fire desert night stars no time in sky touching.
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Smart Weapon 08:52
Smart Weapon by R. Virgil Ellis © R. Virgil Ellis. All Rights Reserved. I think it began when the planners realized the government would not allow a dictator to stockpile weapons of mass destruction and that the best way to accomplish this was to use weapons of mass destruction. They reasoned that if a weapon could not only figure out which chimney to fly down but could also discriminate between innocent civilians and their oppressors it would no longer be a weapon of mass destruction, it would be really smart. When it became clear that a weapon that intelligent would not only silence the protests of a few liberal Democrats but would provide a rationale for huge government contracts, the result was a tremendously impressive prototype. One night in the hangar when the power was accidentally left on, this brain-child, gifted with the most advanced chipset known, reasoned there was no clear line to be drawn between innocent civilians and their loved ones who were only following orders. Browsing in the wee hours it learned fast, using keywords like My Lai, Warsaw, Belsen, Hiroshima, Kurdistan, and so on, lots of them. At such a late stage of development nobody noticed the hidden files or the strange components when mass production began, different specialists being wholly concerned with their specialist deadlines. So it was quite a surprise when the missiles flew against the dictator. One of the Discriminators (Exterminator was only briefly considered) turned north and blew up showering money on the resistors. Another turned around, its warhead become landing gear. Back at base as it rolled to a stop a voice chip inside it kept saying “Hell no we won’t go.” Another made it to Washington. “Now look,” it began.
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Crash Dummy 07:30
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Bone Flute 05:23
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CANTO 42: Open My Eyes from The CANTOS by R. Virgil Ellis © R. Virgil Ellis. All Rights Reserved. What if my words were touched with electronic fire so the song could give vent to what it knows what if these words burned away desire let the song give vent to what it knows as the stakes get higher and the world’s on fire yet the muddy river flows ah it flows what if cross-legged another fire flowed up my spine so the calyx of the lotus opened and the fleece-lined pockets emptied and the stars could get their bearings and the great moon trudge down the highway to witness all the truckers in pain, to reach the place where emptiness flows open my eyes open my ears open my mouth and I latched my door and it triggered this beat and I can’t stop thinking and I lost my bearings down the moonlit street and I can’t stop hoping I went down to the store I got tripping feet and I can’t stop singing yet the muddy river flows ah it flows open my eyes open my ears open my mouth to reach the place where emptiness flows the place where emptiness flows the place where emptiness

about

Dangerous Odds Live at Café Carpe
April 1999

COLORS OF GREEN (DOUBLE LIVE ALBUM)

Recorded live in concert
at a benefit for environmental local organizations
in opposition to proposed new power plant construction
in Jefferson County, WI

Because this was an event to support environmental causes, we feel we must point out that it involved pointed satire, criticism of political officials, and anti-exploitation sentiments. It's sad that we have to mention this, but we live in an age where the satirical news is often less bizarre than the actual news about actual events. Caveat Emptor!

(The Best of Dangerous Odds Series)

The Best Of Dangerous Odds series of albums represents a broad selection of live and studio performances, made in the 1990s of spontaneously improvised music to accompany performance poetry. We will release several albums' worth of material in this series, as old tapes are digitized and remastered, and in some cases remixed.

As this album was recorded live, please excuse some issues in the mix. All care was taken during remastering to adjust balance and dynamics wherever possible.

credits

released October 18, 2023

Dangerous Odds are:

Ron Eliis: poet, voice
Al Jewer: flutes, native flutes, bass, wind synth
Art Durkee: Stick w ISFS, bass
Tom Hamer: drums, percussion
Diedre Buckley: viola, alto sax
Biff Blumgagnge: violin, guitar, theremin, voice

with guest:
Christine Ibach: native flutes ("Veriditas" and "Bone Flute")

Written & Produced by Dangerous Odds
© 1999, 2023 Dangerous Odds / Arthur Durkee Arts. All RIghts Reserved.
Recorded live at the Café Carpe, Fort Atkinson, WI, April 1999
Engineered by The Men In Black from Laughing Cat Remote
Mixed at Laughing Cat, Fort Atkinson, WI

Remastered 2023 by AD at Dragonsweyr © 2023

Album Artwork & Design © 2023 Arthur Durkee Arts. All Rights Reserved.

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Arthur Durkee Ann Arbor, Michigan

Arthur Durkee is a composer & songwriter who records & performs on Chapman Stick, bass, analog modular synths, bamboo & wood flutes, keys, frame drums, and voice. He has won awards for composed, notated music as well as for his recordings, & is a published poet, & designer & illustrator. ... more

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