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in another world in the rain, in another world, stand and watch the mating of light reflected in pooling water, and water, drop by drop, falling into water. in another world, this would be foolish; in another world you could be dry and warm and naked under the warming sun. in another world, you could be standing under the rain, under a roof of thatch or tin, and hearing the hiss or clatter of the warm rain on the roof. in another world, this would be a dream, a night fantasy, not something to tell your grandchildren, to wake in another world, to wake with tears on your face in the bright morning and shake your head and try to hide from suddenly prying eyes. in another world, you would be unable to explain your sudden sadness. you would have no excuse for the beauty of light reflected in a pool in the rain. you would be unable to articulate even your easiest griefs. regret would be a ghost growing silent, unquestioned, mute. a silent cry. the rain would answer, gently. in another world, you would be naked to the air, raw to the burn of the sky; the wind would scatter your hair, blinding you in the reflection of your own pure body, white or black or some purer shade. in another world, you could be a part of the rain, not only a mute spectator to its message; now, it sings at you, hisses to you, glows at you, through the sky and the black sky so bright, dark dark so dark; now, the rain is a caress, a completion, the many-handed lotus-touch on your whole skin at once; now the rain is here, and here, is always here, now, always present in you, however bright or dark you are. in another world, the rain has no potency. now a ghost's tears, now your own. in another world, now, then, you echo as you watch, ending with the streams of rainwater in the ground, ending as a river seeking the lowest ground, seeking finally an ocean, a sea, a sunrise, an orrery of stones. in another world, now, you would be a river, you would be the rain, now, in another world. Poem © 1984, 2021 Arthur Durkee. All Rights Reserved.
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in another world in the rain, in another world, stand and watch the mating of light reflected in pooling water, and water, drop by drop, falling into water. in another world, this would be foolish; in another world you could be dry and warm and naked under the warming sun. in another world, you could be standing under the rain, under a roof of thatch or tin, and hearing the hiss or clatter of the warm rain on the roof. in another world, this would be a dream, a night fantasy, not something to tell your grandchildren, to wake in another world, to wake with tears on your face in the bright morning and shake your head and try to hide from suddenly prying eyes. in another world, you would be unable to explain your sudden sadness. you would have no excuse for the beauty of light reflected in a pool in the rain. you would be unable to articulate even your easiest griefs. regret would be a ghost growing silent, unquestioned, mute. a silent cry. the rain would answer, gently. in another world, you would be naked to the air, raw to the burn of the sky; the wind would scatter your hair, blinding you in the reflection of your own pure body, white or black or some purer shade. in another world, you could be a part of the rain, not only a mute spectator to its message; now, it sings at you, hisses to you, glows at you, through the sky and the black sky so bright, dark dark so dark; now, the rain is a caress, a completion, the many-handed lotus-touch on your whole skin at once; now the rain is here, and here, is always here, now, always present in you, however bright or dark you are. in another world, the rain has no potency. now a ghost's tears, now your own. in another world, now, then, you echo as you watch, ending with the streams of rainwater in the ground, ending as a river seeking the lowest ground, seeking finally an ocean, a sea, a sunrise, an orrery of stones. in another world, now, you would be a river, you would be the rain, now, in another world. Poem © 1984, 2021 Arthur Durkee. All Rights Reserved.
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in another world in the rain, in another world, stand and watch the mating of light reflected in pooling water, and water, drop by drop, falling into water. in another world, this would be foolish; in another world you could be dry and warm and naked under the warming sun. in another world, you could be standing under the rain, under a roof of thatch or tin, and hearing the hiss or clatter of the warm rain on the roof. in another world, this would be a dream, a night fantasy, not something to tell your grandchildren, to wake in another world, to wake with tears on your face in the bright morning and shake your head and try to hide from suddenly prying eyes. in another world, you would be unable to explain your sudden sadness. you would have no excuse for the beauty of light reflected in a pool in the rain. you would be unable to articulate even your easiest griefs. regret would be a ghost growing silent, unquestioned, mute. a silent cry. the rain would answer, gently. in another world, you would be naked to the air, raw to the burn of the sky; the wind would scatter your hair, blinding you in the reflection of your own pure body, white or black or some purer shade. in another world, you could be a part of the rain, not only a mute spectator to its message; now, it sings at you, hisses to you, glows at you, through the sky and the black sky so bright, dark dark so dark; now, the rain is a caress, a completion, the many-handed lotus-touch on your whole skin at once; now the rain is here, and here, is always here, now, always present in you, however bright or dark you are. in another world, the rain has no potency. now a ghost's tears, now your own. in another world, now, then, you echo as you watch, ending with the streams of rainwater in the ground, ending as a river seeking the lowest ground, seeking finally an ocean, a sea, a sunrise, an orrery of stones. in another world, now, you would be a river, you would be the rain, now, in another world. Poem © 1984, 2021 Arthur Durkee. All Rights Reserved.

about

a stone flute

New Forms in Experimental Music (series)
Text/Sound Poetry: Vol 1

Written & Produced by Arthur Durkee
© 2021 Arthur Durkee Arts. All Rights Reserved.

Compiled, edited, mixed and mastered at Dragonsweyr Studio by Arthur Durkee, 2019-2021.
Album artwork by Arthur Durkee

Original poetry and spoken word texts on this album
© 2021 Arthur Durkee Arts. All Rights Reserved.

This music, this text/sound poetry, was inspired by multiple sources, in the case of my own poetry by personal visionary experience, and by a remarkable wave of publications in ethnopoetics and shamanism.

My texts for "a stone flute" were directly influenced by the massive anthologies of world poetry, including shamanic chants and songs, edited by Jerome Rothenberg, "Shaking the Pumpkin" and "Technicians of the Sacred." Miguel Serrano's archetypal memoir of India, the land I spent my childhood in, "The Serpent of Paradise." Michael Harner in "The Way of the Shaman," and Joan Halifax in "Shaman: The Wounded Healer," goaded me to go look into those worlds for myself, and bring back the poetry and music that found me there—which is still a major source of my creativity. In this rich material, which still haunts me, I found versions of what I had encountered to use for the long sonic journey that is "a stone flute." The soundscape and electronic/tape elements of the piece were directly influenced by my studies in ethnomusicology, including Tibetan Buddhist chant, and by the experimental soundscapes of Wendy Carlos in her masterpiece that prefigured ambient music, "Sonic Seasonings." Pierre Henry's musique concrete also is present in spirit if not in quotation.

The poem "in another world" was written from my childhood memories of India, written a year or two before I went on a Fulbright year to Java, Indonesia, to study gamelan music, but the poem is almost prescient in its depiction of Java, as much as memory of India. The poem leads off my first poetry chapbook, most of which was written on my Fulbright year in Java, and complied in 1987. Another text/sound poetry piece I am working on, "rainvoices," also appears in that chapbook, and will be released soon as an audio album.

The four pieces of "Worlds" were collaboratively composed structured improvs with my musical partner Stuart Hinds. They were recorded in Lubbock, TX, in an astounding acoustic space, a glass-and-marble lobby of a local college's performance hall. We recoded the first three pieces as a set, originally; I have edited together "Raven" from another session recorded later. Indeed, much more material was recorded in this process, ranging from structured improvs to total free import, which has yet to be released.

credits

released January 29, 2021

"a stone flute" created in 1984 in the production studios of WCBN-FN Ann Ann Arbor, and at the University of Michigan Electronic Music Studio. Engineered, mixed, and mastered by AD. Remastered 2020 by AD at Dragonsweyr.

"Worlds" was recorded live in 1985 to four track reel tape at Moody Auditorium, Lubbock, TX. Co-produced, engineered, mixed, and mastered with Stuart Hinds. Remastered 2021 by AD at Dragonsweyr.

"in another world" was created 1989 at University of Wisconsin–Madison Electronic Music Studio, with some tracks recorded earlier in Ann Arbor. Remastered 2019 by AD at Dragonsweyr. "in another world (rain mix)" and "in another world (soundscape mix)" were created from submixes and source tracks, mixed and mastered 2021 by AD at Dragonsweyr.

Voices: Stuart Hinds and Arthur Durkee, with Paul McMIllion on "Hamatsa."

Soundscape substrate source tracks for "in another world (soundscape mix)": Stuart Hinds 1984 at UM EMS; remixed and mastered 2021 by AD at Dragonsweyr.

Frame drum (bodhran) on "Raven Calls to Whale": Arthur Durkee

Moog synthesizer and other analog synth drones and effects: Arthur Durkee

Original source tracks recorded on reel tape between 1984 and 1989.. Every attempt has been made during digitization and remastering of the original reel tracks to remove artifacts and analog noise, without distorting the sound recordings themselves; please forgive any small anomalies or artifacts that unavoidably remain.

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Arthur Durkee Ann Arbor, Michigan

Arthur Durkee is a composer & songwriter who records & performs on Chapman Stick, bass, analog modular synths, bamboo & wood flutes, keys, frame drums, and voice. He has won awards for composed, notated music as well as for his recordings, & is a published poet, & designer & illustrator. ... more

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